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Tsuen Wan is not only a conglomeration of luxurious high-rise housing estates, busy shopping malls and the shells of former factories, but also monasteries, temples, and historical buildings that showcase the lifestyles of Chinese clans in years past, as well as the religious and traditional beliefs of Hong Kong people today.
The district’s evolution from a collection of villages to an urban hub began in the 1940s, with the arrival of Shanghainese manufacturers who transformed the area with their factories. As the shift continued, the building that’s now the Sam Tung Uk Museum remains at the centre. The surrounding area was formerly a village of those who originate from Hakka-dialect speaking regions in Mainland China such as Fujian. In the 1970s, the Hong Kong government decided to build a terminal of the Mass Transit Railway (MTR) at the village site, but preserved this building and converted it into a museum dedicated to Hakka history and culture. An Intangible Cultural Heritage Centre is based here, and runs general educational programming about Hong Kong culture such as performing arts, cuisine and customs.
“This Hakka house is unique,” explains Chau Hing-wah, curator at the Intangible Cultural Heritage Office, which oversees the museum. “We’re lucky that this typical Hakka-style architecture, which is more than 200 years old, can be preserved, because in a big metropolis like Hong Kong conservation can be difficult.” While other Hakka houses exist throughout Hong Kong, most are not open to the public. And although the house is now a museum, Chau says that it still holds great meaning for the former village residents — especially the former ancestral hall, where the community would pay respects to their ancestors. “They have a lot of memories of this old house,” says Chan. “They organise trips to come back and recall their memories, even those who have already moved overseas.”
Behind the Sam Tung Uk Museum is a temple dedicated to Tin Hau, Goddess of the sea and seafarers. It’s one of the many institutions dedicated to local spirituality, which is a mix of Taoism, Confucianism and Buddhism. A short drive away from the town centre in Lo Wai Village, the oldest village in Tsuen Wan, monks chant amid the tranquil surrounds of the Western Monastery with its traditional Buddhist art and architecture, including a nine-storey pagoda and a Bodhisattva statue. Nearby is the Yuen Yuen Institute, where monasteries, halls, and temples dedicated to all three spiritual practices nestle among serene ponds and lush greenery.
“The values and ethics of the traditional religions are integrated into the daily lives of Hong Kong people,” says Gordon Li, deputy chief executive officer of the Yuen Yuen Institute. “Many people come to pay tribute to their ancestors during festivals. This practice of filial piety is treasured by the Chinese.” Non-practicing visitors are also attracted by the beautiful scenery as well as the opportunity to learn more about the religions. “The buildings show the beliefs of the institute,” Li explains. “The teachings and virtues of the three religions are engraved at the Eight Virtues Wall and the Tao De Jing Wall.”
Tsuen Wan’s predominantly urban facade belies a deeply traditional area. The Yuen Tsuen Ancient Trail is a hike through hidden villages, while the Fong Yuen Study Hall is a monument to the Chan clan and their pursuit to provide Confucian education to their village’s children. “Fashion and history merge in this area, depicting the change and development in Hong Kong,” Li says. Chau echoes the sentiment: “From a very small local settlement or fishing village, Tsuen Wan has now turned into a satellite town with a huge population. Behind the high rises, there’s a lot of local culture still there. Tsuen Wan is actually full of history.”
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