The heritage house revival

Sandwiched between the sky-high glass and steel towers that define Hong Kong’s urban landscape are buildings that serve as evidence of the city’s architectural past. Low-rise and sturdy, tong lau — which literally means 'Chinese building' — were typical of 19^th-century urban living in southern China and Southeast Asia.

“Tong lau became a part of Hong Kong’s urban makeup as soon as the Chinese began to settle in the colony of Hong Kong and imported their urban shophouse tradition,” says Lee Ho Yin, director of the conservation programmes at the University of Hong Kong. As far back as the 1850s, a 'Chinese Town' of tong lau-flanked streets had risen in present-day Tai Ping Shan, in what was then known as the City of Victoria.

Financial and spatial restrictions resulted in tong lau, each two or three storeys high, being built back-to-back and cheek-by-jowl, with no space between them, at least until the bubonic plague broke out in the over-crowded quarters of Tai Ping Shan, in 1894. Out of the tragedy arose Hong Kong’s first buildings ordinance, which decreed, among other things, that natural light and ventilation should be maintained, and it was according to these guiding principles that many of the city’s still-standing tong lau were built.

Tong lau grew taller until they eventually fell out of favour “at the end of the 1950s, when developers called for the government to allow the construction of bigger buildings,” says Lee. However, over the past decade there has been an increasing number of redevelopment projects dedicated to restoring these architectural treasures and reviving their place in the city’s urban landscape.

‘Old Hong Kong’ is popular once again

Perched above one of Tai Ping Shan’s main arteries, Wing Lee Street is one such enclave. Built in the 1950s, the block was originally designated for redevelopment until it was saved by public demand after appearing in the popular 2010 film, Echoes of the Rainbow. 

Elsewhere in Tai Ping Shan, on Sai Street, one of the district’s pre-war tong lau has been given a 21^st-century upgrade courtesy of Portuguese graffiti and street artist Alexandre Farto, better known as Vhils, who has carved the face of Cuban revolutionary leader Che Guevara into the building’s exterior. His work, which plays with the patina of the facade, reveals the history of the structure and exists in sensitive but striking contrast to the traditional tiled roof. Rachel Liu, who rents an apartment in the building, says that she was attracted to that address for its heritage. “I have always been drawn to ‘old Hong Kong’ and knew that I wanted to live somewhere rich in history. Hong Kong’s tong lau are so unique to the city, it is a real honour to get to enjoy one from such a unique perspective,” she says.